Twist Collective Blog
Ripplerock in details
It's the sort of day where I'm only warm if I have something wrapped around my neck. Ripplerock would be a lovely choice today. Let's take a closer look:
Pretty pretty motifs.
Some nice texture that you can still knit with a movie on.
I'm a sucker for a pretty edge!
Twist Style Friday: Cinders
Every Friday we feature one of the garments from the magazine in a post about styling. We suggest different ways to wear the garment in question using mock-ups from Polyvore. We encourage readers to tell us what they think about these outfits via our Facebook page or Twitter, and if folks want to make their own outfits, please tweet them at us with the hashtag #twiststyle. You can find all of the Style Friday posts here.
Happy Friday folks!
Cinders seems to be shouting the word "weekend" at me. Maybe it's because I'm highly suggestible, and this lovely pic of the model reading a book and looking snuggly warm is really appealing to me. I don't make New Years resolutions, exactly, but I do have a goal of reading more poetry this year, and I started strong with this epic. I often feel about poetry the way I do about British TV shows, which is nervous that it will make me feel stupid because I don't "get it." Facing fears is hard, even if they're just about looking at words on a page. I have big feelings about everything you guys.
Maybe it's because now that I don't have a day job in the classical sense, the idea of "weekend" is pretty nebulous. I'm learning about how easy it is to work all the time when you don't have "work hours" and also when the things you're working on are also passion projects. I have some pretty cool irons in the fire, so I'm fussing over them a little.
Anyways, I was thinking about weekends (and holidays) when I made the outfits below. It's a work hard, play hard kind of set. Outfits for fancy occasions and for extreme lounging.
Kate put together a Color Me post about Cinders a while back, so in case you want to see what this would look like in a bunch of different colors of Mountain Mohair, have a peek! The rhubarb and seaglass colorways are really speaking to me today.
How will you wear Cinders?
Throwback Thursday: Orange Pop
When the cold winds blow, and the skies are mostly grey, I try to wear some bright colors to bring a bit of my own sunshine. This sweater is a great way to bring a little or a lot of color into your cozy wardrobe. Hi there, Orange Pop.
Yep, that's the "wrong side" of stranded knitting. It reminds me of how I used to wear my sweatshirts inside-out in the late 90s. The simple geometric pattern provides a great canvas for you to experiment with a bit of color. I'm also pretty into the chevron detail on the turtleneck. This sweater is just a little bit offbeat, without being fussy or complicated.
When the pattern was new, Kate gave us some other ideas about color palettes, in case it's hard for you to imagine this bright tomato sweater in a different set of shades. The Ultra Alpaca yarn is snuggly warm, and comes in a bunch of colors!
New pattern: Bushel by Kate Gilbert
Hi all! Happy new year! Kate here. I hate to admit it, but sometimes I lose my knitting mojo. I’ve come to realize that just like with things I do at home, the best way to get it back is to just GET SOMETHING DONE. I had this in mind when I designed and knit Bushel (a new pattern!!!). I knit it in two days. Not even kidding. Okay, yes, it was a lot of knitting in two days, but that puppy worked up really really fast and it's a quick project even if you don't spend all day knitting!
The stitch pattern is really easy to memorize and the sweater is virtually seamless. The Tahki Montana yarn is squishy and soft and thick and quick to knit!
And now that I’m sitting here in a snuggly sweater, I’m dying to knit something else, even if it’s on tiny needles. In my humble opinion, knitting up a super fast, super easy, snuggly sweater is a great way to kick off the knitting year!
A friend really wanted to get into the shot.
Deigner Post: Besom, a Color Tutorial
I hope you enjoy this post from Meghan Jones, first time Twist designer who brought us the lovely Besom cardigan this issue. Check out her tips for choosing the colors you love, and arranging them to your desired effect. You can also find this post (and more about Meghan) on her blog, here.
What I really wanted to achieve with this design was a color gradation that was simple and fun, which emphasized the pattern and inspired the knitter to try something new. I wanted to design a stranded pattern that was great for a knitter who is new to Fair Isle. The type of design where you perhaps don't need a chart after the first round of dots and it is easy to spot a mistake if you make one.
The colors for this garment are what really make it special. Besom takes advantage of the wild new neon pink that has recently become available and uses it center stage as the main star of the pattern. Of course not everyone is into neon pink so why not change it up? Set a course for color and let's talk about what might also look great in this design.
What makes the color work for this garment is the movement from the darkest color/shade on the outside edges to the lightest color/shade on the inside edges. This means that for the same 'look' as the original you should start with an outside color that is vastly darker in shade,meaning that if you squint your eyes the color is basically removed and one looks darker than the other. This combined with a main color that is similar in shade to the lightest pattern shade gives the pattern it's signature look. When you squint your eyes at the lightest color it should be close to the main background color, they can blend or almost blend together in front of your eyes.
Squinting your eyes reduces the amount of color information your eyes can receive and improves your perception of light and dark. This is called the color value, you can also use a transparent red color value finder such as this one.
Above you can see the colors present in the original sample, the dark purple moves into a more gray dull purple, into a muted pink and finally into the bright pink, the background of this garment is the dove grey heather. But what if you like blues better? And what about that neon green? The second colorway idea The Blues Scale moves from the darkest blue, though two lighter blue shades into the neon green. If you squint your eyes at these two suggestions you can see that the bottom shades are pretty close in shade (meaning that they appear almost the same with squinted eyes) the second to top shade on the blue scale is slightly lighter than the pink scale but the neons sit at about the same intensity.
Now these two color ideas are opposites, the first one is all muted browns and pinks on a background of white. As you can see the darkest color is definitely dark and very obvious and the lightest color blends in seamlessly with the background. This palette will give you a much more defined outer edge and a much subtler inner 2 rows of dots. In the original sample the inner 2 rows are the bright pink, and even though they are about the same shade as the background they are much more intense in color saturation. In this Muted color scale the lightest color is barely different than the background and will make those lines of patterning less visible.
The use of the gently gradating color in this garment and attention to the shades and intensity of the lightest and darkest create the depth and movement in the piece.
While we are talking about depth of field let's take a look at how we can reverse the depth of field in the cardigan pattern. The top two scales above both have a color gradation that works within the original parameters of the design. The bottom colors are much darker than the background and the lightest color is similar in shade to the background. But what happens when the darken the background? The lightest colors become much lighter and are the focal point, whereas the darkest colors blend in much better with the background and are less obvious. This reverses the movement of the colors, instead of anchoring at the bottom and moving into the top the colors will anchor at the top and move into the bottom. You can manipulate this to change what areas of your body the garment will put focus on.
If you want to draw attention away from your waist but still work the patterning put your highest contrasting dots on your hips, if you want to draw attention away from your hips put the highest contrast on your waist.
What about reversing the colors and neutrals? Work the dotted design with a transitioning palette of neutrals from black to grey and use a solid color for the background.The uppermost examples of this have the highest contrast at the outer patterning just like the sample. The lower left example has the highest contrast at the top which is opposite to the original. The lower right example uses a mid-ground red which has contrast with both the lightest and darkest shades on the grey scale. This will create visual contrast on both the edges and the inner rings while still having movement within the choices.
If you want to draw attention away from your waist and your hips skip the lower patterning completely and just work patterning on the bottoms of the sleeves and the yoke. Place your highest color contrast on the inner rings to place emphasis on the bust and forearms which slims the waist and hips. Or to draw attention to the face and neck place the highest contrast color closest to the edge of the garment which will naturally attract the eye there.
I hope this post has inspired you to get creative with your color choices, and knit up a Besom Cardigan for yourself. Below you will find information on where to get the pattern and yarn for this project.
All the yarn referred to in this post is Dale Garn Freestyle, the yarn that was used for the sample. Below is the full color card of Dale Garn Freestyle, and you can purchase this yarn from Mango Moon and Dale Yarn here. Below is the complete color card for Dale Yarns.