Twist Collective Blog
New From Twist Authors
The fall book harvest is abundant this year with great new titles from many talents featured in Twist Collective, and that we're proud to recommend.
Alison Sarnoff and Melody Moore have finally penned enough of their adorable and sassy Knit Princess strips to publish a hard copy of Knit Princess Volume 1 so you read about the wool-obsessed Tiara'd one even in the bathtub.
Regular Twist photographer Caro Benna Sheridan and the beloved Stitchy McYarnpants bring us Knitting it Old School, a sometimes silly, sometimes serious (and sometimes scifi) collection of retro-vamp patterns that includes the work of Twist contributors Marnie MacLean and Amy Herzog.
Make room on your sock book shelf for Stephanie van der Linden's Around the World in Knitted Socks, previously seen on this blog in the original German. I'm so excited that English speaking knitters can now see Stephanie's genius in familiar terms.
And don't let me forget about friend of the house and prolific knitgrrl, Shannon Okey, and her newest book, The Knitgrrl Guide to Professional Knitwear Design, a book we highly endorse for anyone interested in cutting a professional path for themselves in the knit world.
A few years ago, I went to a wool and arts and crafts gathering at a farm near the Vermont border. I remember walking around thinking that I wanted to do a photoshoot there... of what? I don't know. This was a pre-Twist.
Fast forward to this past spring and I found myself in a café meeting with a photographer whose work I had admired. It turned out that Roxham Farm was her mother's!
I felt so fortunate to shoot at Roxham Farm. The buildings are beautiful. The animals were friendly and are treated well. Jane's mother, Sue, is charming. She dyes her own wool, spins yarn and knits all sorts of things from it.
Luckily for those of you who aren't that far away, the Roxham Woolgathering is coming up in less than a week!
The Wool Gathering - a country style craft show - has been going on for 18 years. The 40 artisans are carefully chosen to exhibit originality, excellence and execution. As the location of the farm is far from any café or restaurant, food has always been a part of the show. Last year, there were five nationalities of food represented. Music in one form or another is part of the festivities and usually a sheep is shorn as well and demonstrations are held, such as spinning, knitting, black smithing and potting. The entrance is free and parking is in a nearby field. The craft fair will be on the 11th and 12th of September, 2010, from 10 AM to 5PM, at 332 Roxham, corner of James Fisher, Hemmingford. (If you're coming from Montreal, follow directions to the Parc Safari and go past it to the end of the road, that's where it is!). For more information, you can call Sue at 450-247-2174.
Below are some outtakes from the shoot that might give you more of a taste for the lovely location! Maybe we'll bump into each other there. Say hi!
Design Process: Promenade
It's a little bit ridiculous, I know, that it has taken me just over 3 weeks to blog one of the most exciting things EVER, but... so it goes. The amazing Fall 2010 Twist Collective - you've seen it by now, yes? :) I was so, so honored to be a part of it! I was lucky enough to have a design chosen to be included: Promenade! (Ravelry link!) I have been a huge fan of Twist Collective since the very first issue, and to have a pattern in the magazine (in an issue just full of beautiful patterns from designers I admire) is really a design dream come true for me.
Promenade is a Regency-era inspired pullover with a very scooped neck on a slim, empire-waist bodice, puffy little cap sleeves, an a-line bottom, and a separately worked linen stitch tie detail. I've wanted to knit this garment for myself for so long - it's a simple, clean design, but has so many little style elements that I love and seek out in my clothing (seriously - give me an empire waist and cap sleeves and I'm a happy woman).
When my design was accepted, I happily threw myself into a period of research. Gotta love any type of research that allows me to watch Sense and Sensibility, Persuasion, and the BBC Pride and Prejudice over and over (and, yes, over) again! I also dove deep into some serious eye-candy paintings from that era:
Sigh. So beautiful, right? I wanted my pattern to be true to the promenade dresses so popular during the Regency era, but without any costumey elements - it had to be wearable today! Luckily, so many style elements we see in those beautiful dresses from the era are nearly universally flattering. To me, a more modern look came through some minor changes, the most important being raising of the neckline (the first version of the bodice that I knit, which was more true to a "period" neckline, was rather saucy by today's standards! I am pretty sure that it would be hard to find modern undergarments that would have worked with a neck that was so very, very scooped). Kate Gilbert (who is so inspiring to work with) and I also both felt strongly that avoiding a white, cream, or pastel color would give the design a more contemporary feel. As you can see from the inspiration paintings above, there were plenty of beautiful rich colors worn by the women during the Regency period.
The yarn I worked with, Madelinetosh Pashmina, is delightful. A handpainted merino/cashmere/silk blend, it is luxurious to be sure... frankly, it's dreamy. It drapes beautifully and still has that great merino squishiness and memory. And of course, since we're talking about Madelinetosh here, the colors are just stunning!
I had so much fun playing with the details of this sweater, and it has been fun to see it added to faves and queues and even see some projects start up on Ravelry! There are many more construction details and notes on Promenade's Ravelry pattern page.
All the photos in this post are copyrighted by the fabulous Jamie Dixon... ok, yes, I'm biased because she is my friend, but she really is such a fabulous photographer. Jamie shot the entire "WWMHW" story of the Fall 2010 Twist Collective... yup, as you've no doubt seen already (if you are a Yarn Person), I got to model a whole story, full of gorgeous sweaters and accessories from some of my favorite designers (seriously), called "What Would Mary-Heather Wear?" Talk about exciting - and flattering, to have been included in such a fun way. More about that day up in the mountains (falling ticks and all!) to come in a few days. In the meantime, here is an outtake from the shoot:
Design Process: Gwendolyn
Gwendolyn is Fiona Ellis' eighth pattern for Twist Collective. See her other pieces; Bonnie, Rebecca, Pamela, Chartres, Paula, Lesley, and Mehndi to appreciate her fantastic range and attention to detail. Today's blog post will feature some of her inspiration and thoughts behind her intricately cabled Gwendolyn pullover and cardigan.
Many artists and designers have themes and inspiration sources that they return to over and over, and I am no exception. I find that this to be a cyclical occurrence and it can be a little like revisiting an old flame – it doesn’t take much to ignite the smolder and suddenly you find yourself in love all over again.
Along the way we build on each experience and over time begin to hone our skills with a particular subject.
So it has been for me with cables and Celtic Knot-work cables in particular. My love for them began when I was in university studying fashion knitwear design. I worked on a collection of cable designs that drew their inspiration from the rustic arts of corn dollies (http://en.wikipedia.org/wiki/Corn_dolly) and basket weaving, and I also looked at Celtic knots. But their intricate crossings and meandering paths seemed daunting to me back then, so I left them for another day.
I thought you might like to see some of the “rules” I have devised for myself for working these particular types of cables. I hope that these pointers might help you as you work through Gwendolyn as I always find that anything broken down into bite size pieces makes it more manageable.
I think of a traditional rope cable of being made up of two “cords” which twist around each other. When they diverge from this vertical placement the following things occur.
Picasso said: “painting is just another way of keeping a diary”, I also believe this to be true of our knitting projects. Each of my designs reminds me of what I was doing in my life when I worked on it - Gwendolyn is no exception. As usual as I worked on it I carried it around with me. I even took it to the pub one night as I worked on one of the sleeves. As it was an Irish pub I thought it seemed appropriate to imbue the project with some genuine Celtic flair. Because I was following my “rules” I was very happy to find no mistakes the next morning in spite of my liquid refreshment.
Design Process: Crown of Leaves
Cross posted from her own blog, Faina Goberstein talks about the inspiration for her beautiful hat, Crown of Leaves. This is Faina's first pattern for Twist Collective and also the topic of this season's Swatch It with Clara Parkes
This hat is my first design in Twist Collective. I can't tell you how proud I am to be on the list of designers who contribute to this online magazine. Fall 2010 issue is full of beautifully crafted garments and accessories along with interesting articles.
This particular hat's idea was triggered by a beautiful horizontal cable that reminded me of crowns, which my friends and I made out of maple leaves when we were children. Unfortunately, I do not have a quality photo of such a crown, but in this photograph taken in Russia you see the girl on the left wearing one.