Twist Collective Blog
Where in the World Have the Buzz Bags Gone?
Barbara sent us a photo of her Buzz Bag all coloured in. Isn't it darling?
If you haven't done this to yours yet, Allison Green Will, designer of Bernhardt and Jaali, told me she had great success doing hers with just regular felt tip markers. I can't account for how wash fast it would be that way, but if the colour all comes out, you can just do it again! Think you might want one to colour in for yourself? We have about 15 of them left in the shop, so act fast.
Kate and I thought you might get a little kick out of a map, just a graphic representation of where we've sent the Buzz Bags. Just click on this link.View Where in the World are the Buzz Bags? map here.
An Introduction, and a Contest
When I first met Kate, we sat and talked about how we both started knitting and our subsequent forays into the knitting world. I told her the story of the first thing I had made for anyone, a horribly ugly scarf for my dad. Here is the story: (reposted from my blog, www.knitternaut.com):
I’ve been knitting since I was a kid, but like many people I got back into it as an adult. My mom taught me once upon a time, and I laboriously worked at it. When I saw other people knitting I thought I was doing it all strange and backwards, but it turned out that I was just knitting English style in a sea of Continental knitters. After learning that my style was indeed legitimate, I felt a lot better about it and now embrace my yarn throwing technique.
Seen Around London
Guerilla knitting, London style. This one the result of a rollicking escapade of Knitstorming. Read all about it here.
And an installation at the Jerwood Gallery near the Tate Modern in London, of a collection of one of knitting's greatest unsung projects, the UFO. Curator Rachel Matthews, explains on the Project blog:
UFO Project Administration Service was the answer to a proposal I was asked to give for the Jerwood Contemporary Makers 2009 Exhibition. The exhibition will run from 10th June -19th July at the Jerwood Space in London and will then tour.
You are invited to take part in helping us complete Planet Earth's UFOs. All the UFOs are posted opposite. Some are 'WAITING' for YOU, and some have been 'TAKEN' by SOMEBODY!
Take chances, make choices, tell stories, imagine the possibilities, and connect to the bottom draw of other knitters across the globe.
Happy knitting and love,
The blog is worth reading through for all of the creativity, heartache, and peripateticisms we knitters share. Not every object ends up where its knitter originally imagined, and that's half the fun. Start from the beginning, and you have a great summer read. However, if you have limited time and want to get back to the knitting, read this entry about a shawl that survived its creator.
Design Process Ongoing: Pamela
by Fiona Ellis
I know, I know, most of you hate to do gauge swatches or even swatch with new yarns in general. But some knitters do love to swatch - it is still knitting after all. And maybe itʼs the delight we take in swatching that leads us into a life of designing. Although, just in case you think that I am saying this with a superior air, I will tell you that I also hate to do gauge swatches when making something for myself and if you promise not to tell I will let you into a secret -- I start on a sleeve which is really not much more than a large swatch and if I get gauge Iʼm off to the races and if not . . . well . . . back to square one.
Seeing as I love to swatch and you might hate to do so, this blog piece is perhaps a perfect marriage. In the Spring issue of Twist Collective my design Pamela was featured worked in Classic Elite Yarns Classic Silk, 50% cotton / 30% silk / 20% nylon.
After it was completed I still kept wondering what that lace patterning would look like in a different yarn. How would it affect the stitch definition and the way the fabric drapes for example? So I spoke to the nice people at Elann Yarns and asked if I could get my grubby little mitts on a few sample balls to try it out. Here are the results of my experiments. Each of the swatches was produced on a 4.5 mm needle (the size my pattern calls for) and produces the same gauge as the pattern describes but the effect produced is a little different between each of the yarns. Suggested needle sizes for the Elann yarns are 3.25 - 3.75 (US 3 -5) except for Pegasus which suggests 4.5 mm (US 7), the Classic Elite yarn suggests a 4 mm (US 6).
Elann Pegasus (white-shiny): 52.5% mercerized cotton / 47.5% viscose.
The sample in Pegasus is most like the original because of its weight, but with the sheen from the viscose and the mercerized cotton it gives it a more festive "party" or evening look.
Next in similarity to the Classic Silk is Luna, also because it is close in weight, but it is a tiny bit lighter so this swatch has more drape and again the sheen gives it a different look to that of the Classic Silk.
Camila has lovely stitch deﬁnition and the linen content gives a dry hand to the fabric (in other words, it feels crisp). It is slightly more drapey than the original version in Classic Silk because I used a needle size larger than is called for.*
Callista has both the sheen and crisp hand plus has even more drape than Camila which is this sample is almost limp. If I was going to use this yarn I would try it again on a smaller needle size for comparison.*
Pure Bamboo is the most different from the original yarn and because it is a much thinner yarn the 4.5 mm needles felt a little large when working it, but the lighter and more open feel gives considerably more drape. Again I would re-swatch this yarn on a smaller needles to compare the feel of each one. But worked as it is it will produce a different appearance than the original but it may be a look / feel that you prefer. Which proves that you can never tell until you have tried to yarn to know how it will work.
Something to note about the lace patterning for “Pamela” is that the stitch patterns look similar to each other because they are in fact just variations of each other. The ﬁrst stitch pattern (lower half) has the lace worked on both the RS & WS but then as you move to the upper section (both of the swatch and garment) the pattern is elongated by the addition of “plain” WS rows between each “patterned” row. This produces a less open fabric which is something you might be looking for in the upper half of a sweater.
So think about yarn options when you look at sweater patterns, and about how playing around with different yarns can change a sweater's feel and style. Have fun.
Sadie Dayton Photography
Sadie Dayton is a Boston-based photographer of extraordinary talent. Sadie updated her on-line portfolio recently, and we are honoured to find she has included in Portfolio #3 some images from her work with us for the winter 2008 issue.
Sadie's website is ethereal and elegant, full of inspiring images from the last few years. Look for awhile, and you may find yourself speaking more softly for the rest of the day so as not to break the spell.